Operation Iraqi Freedom Essay

Since the start of surgical procedure Iraqi Freedom on 20th of March 2003, the media reportage of this shell in traditional and new media has been twain intensive and pervasive. The issue of whether the warf argon is justified and of whether Saddam Hussein had indeed violated the United Nations trade protection Council Resolution 1441 by possessing weapons of mass destruction has been repugnd in the lead up to the war. By the time the coalition troops moved into Iraqi in a war aimed at toppling the Saddam regime, viewing audience were unable to hop out be bombarded by the onslaught of tidings and information coming by dint of to them. Front pages of every major give-and-takepaper, as well as incomparable airtime on boob tube and radio net in Sydney and beyond entertain been devoted to following this war. Even the Internet is awash with breaking news, reciprocation forums, and every other sort of information not available in the traditional media outlets.With such ext ensive reporting by every the several(predicate) media, it is inevitable that the media bias would lead to vastly differing views in war insurance reporting. This is beca engage having so m each people involved in this big media correctt would mean(a) that the personal biases of the media experienceers as well as the editors and journalists would all affect the track that the news is conveyed. Each one of these media gatekeepers would be privately pro or anti-war, and this would inevitably come across to the semi commonplace in the route that the news in being describe. For example, Peter Jennings, who is the news anchor of the American broadcasting Corporation is well known for bringing on air his prejudicious perspective about the war.According to Singleton, et al (2003 361), with the exception of publicly funded Australian Broadcasting Corporation, most of the other media outlets argon privately owned and thusly subject in principle to the direction of the owners, dir ectly or indirectly (through the law of anticipated reactions). Even with the Broadcasting Services Act 1992, the Australian media is dominated by only a few concentrated players, which would in turn affect how the media covers the war. John Schwartz, who is a Swinburne University media and communications senior proofreader commented on the widely publicised statistic that all bar one of Rupert Murdochs 170-odd papers and the Fox network have a pro-war position, said that no dubiety all his editors are noting Murdochs views, and that Fox is unbelievably gravelyalmost pure government line. (cited in Seccombe 2003 1).However, it is worth noting that even though the different news media locally might adopt a pro or anti-war stance, they would all still be adopting the very(prenominal) Hesperian perspective of the war. As Fandy (20031) says, the coverage of the war by Arab TV networks worry Al-Jazeera and Abu Dhabi TV shows a vastly different perspective of the war, such that in com parison, viewers might think that a different war was being reported.This further illustrates the point that the coverage of the war is always reported in relation to the proximity of the issue at hand, creating nearly sort of ikon standards. For example, correspond to Frisk (2001 489) Terrorism no longer means terrorism. It is not a definition it is a semipolitical contrivance. Terrorists are those who use effect against the side that is using the word. To adopt the word means that we have taken a side in the Middle East, not between pay and wrong, good and evil, David and Goliath, but with one side of combatants against another. For journalists in the Middle East, the use of the word terrorism is akin to holding a gun its battle turns the reporter into a participant in the war.Parenti (1986 30) asserts that the mass media essentially are highly centralised outlets that proffer a remarkably homogenised sleep to shoot forher. The wide use of news wires like Associated Pr ess and Reuters by all the major broadsheets in Australia means that the war coverage locally would be generically the same. Even if the local newspapers and television networks decide to send their own reporters to the Gulf to get a different perspectives, it would still be not make a difference, as they are all covering the same press conferences given by Central Command. They are withal subjected to pond arrangements at certain times, when only selected journalists and cameramen would be allowed to take footages in the landing field due to logistical constraints. This means that much of the western world would be viewing the same footages on television no matter which network station a viewer was watching the news on.Advances in engineering science such as the satellite makes it realistic technically for the live manifestation of the war in the Gulf to the rest of the world (Wood 1967 27). The relatively new suffer of war reporting, which involves embedding journalists and cameramen with coalition troops also mean that the war has sour into some kind of reality show for viewers who turn on the television. mentationers can now get live feed from the battlefield, and make headway from the first-hand exclusives and war perspectives from the embedded reporters and cameramen who travel with the army regiments and military units. However, this new font of war journalism is not without its drawbacks.While viewers do get immediate breaking news coverage, such technological advances have its downsides as well. The immediate streaming of live feeds to TV stations means that viewers are subject to the speculations of the reporters who are stationed in the Gulf before any official confirmation of the news can be received. For example, there was an causa when, according to Pros and Cons of Embedded Journalism (2003 1)embedded correspondents for several news organisations reported seeing a convoy of up to 120 Iraqi tanks going the southern city of Basra, and most news outlets reported a bounteous troop movement. The next day, a spokesman for the British military said the coarse movement was really just 14 tanks.Viewers can also get a distorted view of the war, as it is virtually unsufferable for the journalists to report the news with in a truly objective and straightforward light when they are stationed within the battalions, experiencing camaraderie with the troops and the savouring the inspiration of being in the frontline in the midst of all the action. Objectivity was to overwhelm a strict adherence to facts, a healthy scepticism of institutions, and a need to link facts together to form a larger shot of the war (Willis 1991 60). As gatekeepers, the media thus shows a constructed, and mostly distorted version of what is reality.In fact, as Howard Kurtz, a journalist with The Washington Post puts it, they have been fetching considerable flak for overly sympathetic reporting, dismissed by some by some part of the military pr opaganda machine (cited in position 2003 2).According to Williams (1999 4), propaganda disseminated during wartime is based around short- to medium term objectives to celebrate actual achievement or hide embarrassmentsto invoke national pride, create a feeling of righteousness and incite hatred for the enemy . Hence, it is not move the media bias and perceptions do play a part in the ensuring the telescope and accuracy of the war coverage. Even the publicly funded ABC is shaping its products to fit its sensed audience, and this is not a perspective which is value-neutral (Lumby 1999 41).Since there are so numerous different media sources competing for the viewers attention, media owners might also want their reporters to sensationalise their coverage to stand out from the competition. Much of what is deemed to be newsworthy is often touch on the governments mistakes, on sensation and crisis (Singleton, et al 2003 360). As Moeller (1999 34) puts it, Media moguls have long known that suffering, kinda than good news, sells. Viewers are not interested in the mundane daily news they would rather watch something extraordinary or thrilling.However, no matter how bias the media coverage is, it might not actually have much of an effect on the viewers who have already made up their minds about the war. This is because, according to the cognitive dissonance theory, we have, built into the workings of our mind, a mechanism that creates an disquieting feeling of dissonance, or lack of harmony, when we become aware of some disparity among the versatile strengths, beliefs, and items of knowledge that constitute our mental store (Gray 2002 520). These individuals are believably to be their own media gatekeepers, filtering out information that might cause them to doubt their own current view, and looking out only for information that would reinforce it.Although the media might not explicitly tell the public what to think, it manages to get them intellection about the war in general and the various issues involved, via the agenda-setting function of the media that the public has been subjected to. According to Roscoe et al (cited in schedule Setting Setting the name of Reference 20001)Rather than seeing the media as telling the viewer what to think, television displayations can be seen as setting the agenda in terms of how and which issues should be discussed television presentations frame the events in such a way as to promote particular accounts as being the legitimate and valid, plot other accounts are excluded and marginalised. By doing so, the parameters within which the debate can be conducted are set outthe media can be seen as having the great power to frame the debate by promoting the legitimacy of certain representations and accountsviewers are active but within the parameters set by the text.According to shield (2002 405), the micro-level equivalent to this function would be that of agenda-priming, where individuals make ju dgments about issues based on information immediately on hand and from easily retrieved memories. The constant coverage of the war in all the different news mediums means that viewers would believe that the war is an important issue, worthy of thought and discussion.While news from the traditional forms of media like television, radio and newspapers may be limited by time and space constraints, as well as being highly selective and bias, the emergence of the Internet has made it possible for people to pull in information about the war from all angles. This development of technology makes it possible for viewers to get a balanced view of the war through alternate sources from the Internet in the comfort of their homes, particularly in Australia, where ready reckoner ownership and Internet access is becoming widespread (Singleton et al 2003 369). The public can now choose to educate themselves by getting twain sides of the story, from both the western media, as well as the angle ta ken by the Gulf media. Nevertheless, quality coverage and a challenge to political agenda setting will depend on the use of insights from both the domestic and foreign environments to extend the parameters of news coverage, commentary and debate in the Australian media (Payne 2000 167).According to investigative journalist John Pilger, (in Propaganda Wars 20033), the quality of the debate is very high among the publicturn to the letters page or listen to people in their homes and shops. Instead of taking an apathetic attitude towards this Gulf War, the public has taken a more pro-active stand by organising peace rallies as well as setting up various charities and donations for post-war Iraq.Hence, even though there is some form of media bias present in the pervasive coverage of the war in all forms of media locally, it has nonetheless contributed to the reasoned debate, and not public hysteria over the war.ReferencesAgenda Setting Setting the Terms of Reference, Online, 6 February 2000 lastUpdate, getable http//wwww.cultsock.ndirect.co.uk/MUHome/cshtml/media/setterms.html 6 May 2003.Fandy, M. 2003, Perceptions where Al-Jazeera & Co. are coming from,The Washington Post, March 30 B01, viewed 4 April 2003, LexisNexis All sunrise(prenominal)s.Frisk, R. 2001, Pity the Nation Lebanon at War, Oxford unseasoned York OxfordUniversity Press.Gray, P. 2002, Psychology, 4th rev. ed., hot York Worth Publishers.Lumby, C. 1999, Gotcha Life in a Tabloid World, St Leonards Allen and Unwin.Moeller, S. 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